Forms of Astonishment by Richard Buxton

Description

"Forms of Astonishment: Greek Myths of Meta" by Richard Buxton is an insightful and in-depth exploration of Greek mythology, focusing on the theme of transformation and the underlying metaphysical ideas that drive these ancient stories. Buxton, a renowned scholar of Greek mythology, delves into how the myths of the ancient Greeks depict moments of change, revelation, and profound alteration, often leaving characters and the audience in a state of wonder or "astonishment." These transformations, which form a central theme in many Greek myths, reveal the philosophical and existential concerns of ancient Greek culture, particularly the fluid boundaries between the human, divine, and animal realms. The title of the book, "Forms of Astonishment," reflects one of the key motifs Buxton addresses: the idea that Greek myths are not just tales of gods and heroes, but also deeply philosophical reflections on the nature of reality, identity, and existence. He suggests that the sense of astonishment in these myths—whether it be through metamorphoses, divine interventions, or moral revelations—is an essential element in understanding how the Greeks approached fundamental questions about the self and the world. Transformation in these myths often serves as a mechanism for exploring the limits of human experience and understanding. One of the central themes of Buxton's work is the idea of "meta," or change, which he suggests is inherent to the Greek mythological tradition. Many of the best-known myths—such as those of Daphne and Apollo, or the story of Narcissus—are stories of characters who undergo radical transformations, whether into animals, plants, or other forms of existence. Buxton examines these transformations as metaphysical events that challenge our understanding of identity, boundaries, and the human condition. In the myth of Daphne, for example, her metamorphosis into a laurel tree symbolizes a tension between desire, autonomy, and the irreversible consequences of divine will. Buxton also explores the role of astonishment in the broader context of Greek society and culture. He argues that these myths were not merely meant to entertain, but also to provoke thought about the nature of human agency, the arbitrary power of the gods, and the fragility of human identity. Through their astonishing transformations, characters in Greek myths often experience a profound shift in their sense of self, and these shifts serve as metaphors for larger existential questions. The gods’ involvement in these processes—often both arbitrary and capricious—further emphasizes the precariousness of human existence and the uncertainty of fate. In his examination, Buxton offers a deeper reading of these myths, not just as narratives but as rich, complex reflections of the ancient Greeks' philosophical engagement with change and the unknown. His analysis draws on historical, cultural, and literary perspectives, offering a multi-dimensional view of Greek mythology as a tool for understanding the intersection of the human and the divine, the personal and the cosmic. In conclusion, "Forms of Astonishment: Greek Myths of Meta" is a fascinating exploration of the transformation motifs in Greek mythology, revealing how the Greeks used myth to grapple with profound existential and philosophical questions. Richard Buxton’s analysis sheds light on how these myths reflect concerns about identity, power, change, and the divine, providing readers with a deeper understanding of both ancient Greek thought and the lasting power of myth. This book is essential reading for anyone interested in mythology, philosophy, or the cultural history of ancient Greece.